Design: Difference between revisions
Karljahnke (talk | contribs) |
Karljahnke (talk | contribs) |
||
| Line 38: | Line 38: | ||
==Balance == | ==Balance == | ||
Arrange elements so the image feels stable, either through symmetry (mirroring) or asymmetry (balancing different visual weights). | |||
===Symmetry=== | |||
====Pure Symmetry==== | |||
Identical Elements on both sides. | |||
====Approximate Symmetry==== | |||
Similar visual weights but not identical. | |||
===Asymmetry=== | |||
Different elements are arranged to have equal visual weight, creating energy, movement, and interest. | |||
===Radial Balance=== | |||
Elements are arranged around a central point, drawing the eye inward. | |||
===Crystallographic=== | |||
Even distribution of similar elements throughout the entire composition, creating an all-over pattern with no focal point. | |||
==Rhythm/Movement == | ==Rhythm/Movement == | ||
==Simplification == | ==Simplification == | ||
Revision as of 14:56, 1 January 2026
Composition
Positive and Negative Space
Positive Space
The objects, figures, or areas of interest that the viewer focuses on.
Negative Space
The background or the space surrounding the subject. Negative space gives the subject room to breathe, defines its edges, and can become a shape itself.
Concepts and Examples
Balance
The relationship between positive and negative space is crucial for a well-composed image.
Design
In graphic design, negative space (or "white space") improves readability and aesthetic appeal, while in interior design, it prevents a room from feeling cluttered.
Framing
There a many mediums which framing work with in itself becomes a key compositional element.
PUT EXAMPLES OF FRAMED ELEMENTS HERE
Focal Point
Create a central area of interest that draws the eye first, using contrast, color, or detail.
Rule of Thirds
Leading Lines
Eye Path
A visual pathway inviting the viewer to explore the image and discover the subject.
Depth and Scale
Flat scenes appear three-dimensional and emphasize the size difference between foreground elements and distant subjects.
Focus
By directing attention, they make the subject more prominent and impactful.
Examples
Put Leading Examples Here
Balance
Arrange elements so the image feels stable, either through symmetry (mirroring) or asymmetry (balancing different visual weights).
Symmetry
Pure Symmetry
Identical Elements on both sides.
Approximate Symmetry
Similar visual weights but not identical.
Asymmetry
Different elements are arranged to have equal visual weight, creating energy, movement, and interest.
Radial Balance
Elements are arranged around a central point, drawing the eye inward.
Crystallographic
Even distribution of similar elements throughout the entire composition, creating an all-over pattern with no focal point.
Rhythm/Movement
Simplification
Abstraction
Elements
Uses fundamental art elements (line, shape, color, texture, value) as the primary subjects.
Non-Representational
Avoids realistic depiction, aiming for emotional or intellectual impact.
Focus
Creates a visual experience centered on the arrangement and interaction of elements, not on recognizable objects.
Simplification
Reduces complex subjects to their most basic, recognizable aspects.
Reinforce Composition
Employs traditional design principles like balance, rhythm (repetition), unity, focal points, and directional movement.
Deconstruction
Core Elements
Unity
Value and Tone
Contrast
The juxtaposition of opposing elements to create visual interest and hierarchy.
Harmony
The visually pleasing arrangement of similar or related elements, creating unity, balance, and a sense of belonging.